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    <loc>https://www.keangarc.com/writing/2019/12/26/who-owns-antiquity-latinx-scholars-and-the-fight-for-the-classical-past</loc>
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      <image:title>Writing - Who Owns Antiquity? Latinx Scholars and the Fight for the Classical Past</image:title>
      <image:caption>Still prints from Leni Riefenstahl’s “Olympia Part One: Festival of the Nations,” a commissioned propaganda film about the 1936 Berlin Olympics. The prints show an early scene in which the Discobolus of Myron metamorphoses into an Aryan discus thrower.</image:caption>
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    <loc>https://www.keangarc.com/writing/2018/8/10/gabriella-sanchez-muddles-the-boundaries-of-identity-in-by-any-other-name</loc>
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      <image:title>Writing - Gabriella Sanchez Muddles The Boundaries Of Identity In "By Any Other Name"</image:title>
      <image:caption>Gabriella Sanchez, "Wilde Flowers," 2018 (Charlie James Gallery)</image:caption>
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      <image:title>Writing - Gabriella Sanchez Muddles The Boundaries Of Identity In "By Any Other Name"</image:title>
      <image:caption>Gabriella Sanchez, "Rebel, Rebel," 2018 (Charlie James Gallery)</image:caption>
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      <image:title>Writing - Gabriella Sanchez Muddles The Boundaries Of Identity In "By Any Other Name"</image:title>
      <image:caption>Gabriella Sanchez, "Wild," 2018 (Charlie James Gallery)</image:caption>
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      <image:title>Writing - Gabriella Sanchez Muddles The Boundaries Of Identity In "By Any Other Name"</image:title>
      <image:caption>Gabriella Sanchez, "So Much, Too Much," 2018 (Charlie James Gallery)</image:caption>
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      <image:title>Writing - Gabriella Sanchez Muddles The Boundaries Of Identity In "By Any Other Name"</image:title>
      <image:caption>Gabriella Sanchez, "Homes," 2018 (Charlie James Gallery)</image:caption>
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      <image:title>Writing - Gabriella Sanchez Muddles The Boundaries Of Identity In "By Any Other Name"</image:title>
      <image:caption>Gabriella Sanchez, "Anyone," 2018 (Charlie James Gallery)</image:caption>
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      <image:title>Writing - Gabriella Sanchez Muddles The Boundaries Of Identity In "By Any Other Name"</image:title>
      <image:caption>Gabriella Sanchez, "A Hand Embraced," 2018 (Charlie James Gallery)</image:caption>
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  <url>
    <loc>https://www.keangarc.com/writing/2018/6/21/can-you-lose-a-language-you-never-knew</loc>
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    <priority>0.5</priority>
    <lastmod>2018-06-22</lastmod>
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      <image:title>Writing - Can You Lose A Language You Never Knew?</image:title>
      <image:caption>Smith Collection/Gado/Getty Images</image:caption>
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  <url>
    <loc>https://www.keangarc.com/writing/2018/6/21/why-rent-still-matters</loc>
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    <lastmod>2018-06-22</lastmod>
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      <image:title>Writing - Why Rent Still Matters</image:title>
      <image:caption>Image courtesy of Broadway World</image:caption>
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  <url>
    <loc>https://www.keangarc.com/about</loc>
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      <image:caption>Photo by Jenny Kerrigan</image:caption>
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      <image:caption>Front view of the Colonna Venus, modeled after Praxiteles’ fourth century BCE sculpture of the Aphrodite of Knidos, marble, first or second century C.E. Musei Vaticani, Museo Pio-Clementino.</image:caption>
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      <image:caption>Antinous, Bas-relief found at Hadrian's Villa, now in the Villa Albani</image:caption>
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      <image:caption>CESTA Research Assistant Showcase, August 2016. Photo by Celena Allen.</image:caption>
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      <image:caption>Rear view of the Borghese Hermaphroditus, marble, c. second century C.E. (figure). c. 1620 (mattress). Paris, Musée du Louvre.</image:caption>
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